The Lantern Keepers — A Ritual Beneath the Frozen Horizon
The wind drifts across a plain of white silence. Out of it, forms begin to emerge — four at first, each cloaked in heavy cloth that absorbs the light instead of reflecting it. Their approach is deliberate, the movement almost mechanical. They stop where the snow is faintly tinted by an inner glow. Beneath the ice lies a lantern, its flicker erratic, as if breathing shallowly.
One kneels and clears the frost from its faceplate. The flame steadies, then sharpens, burning cleaner, brighter. Around it, the others take their places, evenly spaced, exact. Their arrangement is the geometry of a circuit — not arbitrary, not human in origin. Every distance between them is measured, every posture aligned with the unseen pattern beneath the surface.
When they begin, it’s without sound. Hands extend toward the lantern, fingers angled so the faintest arc of energy forms between skin and glass. The light responds in pulses that ripple outward, mapping the snow with thin concentric lines of amber. Each pulse expands, fades, and returns weaker — as if the world resists illumination.
Their purpose becomes clearer when the second lantern is unearthed — larger, encased in metal engraved with radial sigils. It is not light they are worshipping, but equilibrium. The lanterns are containment devices. The ritual is calibration. They are drawing something out from below — an ancient resonance or dormant field — and stabilizing it through repetition.
The hum that follows is not vocal but harmonic. Their bodies conduct it. Each figure channels through their hands, the sound merging into a single frequency that binds flame to frost. The snow around them liquefies for a breath, then refreezes in perfect symmetry. This is the act’s central function: to regulate the buried current that threads through the frozen earth — a system that, left untended, would collapse or ignite.
As more figures join, the formation expands into multiple rings, every participant locking into rhythm. The glow beneath the ice flares brighter, tracing filaments that reach toward the distant horizon. For a few seconds, the plain resembles circuitry — light flowing through frozen channels, reawakening something vast beneath them.
When the ritual reaches its apex, one of the inner figures detaches and walks toward a single post standing alone at the field’s edge. Upon it burns a lantern that has not dimmed. They raise a hand; the field responds, energy retracting, the pattern sealing itself shut. The hum stops instantly. Snow falls again, uninterrupted.
What remains is only the keeper — the figure beneath the lantern. Its duty is preservation. To ensure the buried system stays dormant until the next alignment, when the field’s balance will again falter. The others vanish into the storm, leaving behind no trace but the faint heat that lingers over the sealed ground.
The ritual is neither worship nor invocation. It is maintenance — a cold, necessary act of control. The light is not divine. It is containment. The cult is not calling something forth; they are preventing it from returning.
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